Authenticity in the Art Market:
A Comparative Study of Swiss, French and English Contract Law
by Carolyn Olsburgh
Published in December 2005
ISBN: 1-903987-17-2
Fakes have always existed, but the very high prices which art and antiquities
now command mean that we are witnessing ever greater numbers of fakes and
forgeries in the major art markets. This book focuses on the contractual
relationship between the buyer and seller and explains the circumstances in
which the courts of three major art market countries (Switzerland, France and
England) approach claims concerning inauthenticity.
About the book:
This book examines the scope of the seller’s duty, within
each of the jurisdictions at issue, to inform the buyer of
facts relevant to the issue of authenticity, together with the
contractual force of any guarantees given by the seller.
The author analyses the concept of mistake as it applies in
each of the countries under consideration, and examines
dol as a vitiating factor in Swiss and French law, and
misrepresentation in English law. An account is given of
the buyer’s remedies, including damages and setting the
contract aside, and attention is paid to the problem posed
for the mistaken buyer by limitation periods.
The text also contains a number of useful appendices,
including a table of limitation periods, and the relevant
statutory provisions from Swiss, French and English law.
The author:
Carolyn Olsburgh is a practising lawyer with Lalive
Attorneys-at-law in Geneva, Switzerland. She was admitted
to the Geneva Bar in 2000 and obtained a Master of Law
from the University of Cambridge.
Contents
Table of Cases
Table of Legislation
Preface
Avant-Propos
Chapter 1: Introduction
Chapter 2: Swiss Law
Chapter 3: French Law
Chapter 4: English Law
Chapter 5: Comparision and Evaluation of the Solutions
Chapter 6: Conclusion
Appendices
The paperback version of the book is available at £18 including postage & packing within the United Kingdom
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