Posted on: March 25, 2024 by Charlotte Woodhead
The “legislative prison walls” of the British Museum Act In 2022, the then UK Prime Minister (the antepenultimate Prime Minister of recent times) responded to calls for the return of the Parthenon Marbles to Greece by saying that it is for the trustees to decide. However, even if the trustees considered it appropriate to return […]
Posted on: July 3, 2023 by Lilian Palmer
On 2 May 2023, the government published the draft Terrorism (Protection of Premises) Bill, which outlines the requirements that venues and other organisations will need to meet in order to ensure public safety and preparedness in case of a terrorist attack. The Bill, also known as Martyn’s Law as a tribute to Martyn Hett, one […]
Posted on: April 14, 2023 by Geoffrey Bennett
One might say that if the law of Treasure has slumbered throughout most of its long history it has now had a rude awakening. Its obscure origins in Anglo-Norman common law had nothing to do with preserving items of cultural interest and probably everything to do with a source of revenue for the Crown, albeit […]
Posted on: March 11, 2023 by Hugh Johnson-Gilbert
As the controversial Online Safety Bill (“OSB”) makes its way through the House of Lords, we consider what implications it might pose for the online art world. Introduced in March 2022, the stated purpose of the OSB is to ‘make the UK the safest place in the world to be online while defending free expression’. […]
Posted on: January 23, 2023 by Emily Gould
In an important decision handed down at the end of last year [1] the High Court upheld most of the claims brought by an eminent purchaser against a well-known antiquities dealer in relation to the (in)authenticity of the artefacts in question. It is rare that authenticity claims reach the courts, and when they have done […]
Posted on: December 8, 2022 by Julia Rodrigues Casella Hommes
The latest guidance on the anti-money laundering (AML) regulations as they pertain to the UK art market has finally brought about some much-needed clarification on some aspects of the regulations that had remained up until now somewhat difficult to comprehend and, more importantly, apply to day to day business. There are many aspects of the […]
Posted on: December 2, 2022 by Chiara Gallo
In recent weeks, Botticelli’s Birth of Venus appeared on the headlines of some of the most important news outlets, due to the allegedly ‘unauthorised’ commercial use of the famous masterpiece. The fashion house Jean Paul Gaultier is facing a suit for damages that could exceed £88,000 (€100,000) brought by the Uffizi, the oldest Florentine museum, […]
Posted on: November 26, 2022 by Ruth Redmond-Cooper
The latest issue of Art Antiquity and Law has now been published and hard copies are being sent to subscribers and members, with the digital version available online to subscribers who have chosen this option. This issue contains a thought-provoking piece by Alexander Herman in which he points out that the recent Charities Act 2022 […]
Posted on: October 28, 2022 by Gina McKIveen
For nearly two decades, Rick Allen, an experienced underwater videographer and professional photographer, documented the retrieval and recovery process of an 18th century pirate shipwreck off the coast of North Carolina. A dispute over the copyright in the works produced between Allen and the State of North Carolina (the “State”) is now approaching its tenth […]
Posted on: October 12, 2022 by Julia Rodrigues Casella Hommes
There is a fine balance between unbiased, objective reporting and the dissection of the emotional layers in a subject that is the mark of a great documentary. A new documentary on the epic tale of the Crimean Treasures in a Dutch museum and the ensuing legal disputes managed to strike this fine balance with perfect […]