Category Archives: Private Collections

Gurlitt trove eludes restitution efforts owing to unresolved provenance questions

Posted on: July 1, 2020 by Stephanie Drawdy

The full story of the billion-dollar art collection gathered by Nazi art dealer Hildebrand Gurlitt during World War II may never be told. After years spent trying to determine the collection’s history, the prior owners of a large majority of those works remain unknown. This is a story we have followed with interest throughout its […]

Art Crime in Current Times

Posted on: May 1, 2020 by Charlotte Dunn

There is no doubt that the current times have caused extraordinary changes to daily life. There have been major impacts on every aspect of society, including how, when and where crime will occur. Thankfully, in general, crime has fallen since the introduction of lockdown measures in the UK. However, as noted in this article by […]

Lessons in Collecting from the Museum of the Bible

Posted on: April 14, 2020 by Charlotte Dunn

The Museum of the Bible has been a site of continual controversy since its opening in November 2017. The issues it has faced range from alleged thefts and forgeries to the illicit trade in antiquities. More than anything else, the Museum’s difficulties have demonstrated the importance of careful provenance research before acquiring artefacts for a […]

Dispute over the Isleworth Mona Lisa goes to Italian courtrooms

Posted on: September 25, 2019 by Eleonora Chielli

The Court of Florence is dealing with a case involving the ‘Isleworth Mona Lisa’, a painting attributed to Leonardo, though with some uncertainty. Whilst the question of attribution is not the focus of this post, it should be noted that following a debate lasting for more than a century about the attribution of this painting, […]

Orphan Works Update

Posted on: February 1, 2016 by Emily Gould

What do you do if you want to reproduce an artwork but have no idea who holds the rights in it? What options are available to the museum keen to create a new online resource of paintings, but with no record of who owns the copyright? Back in November 2014 we reported on two new […]

Dutch Restitutions Committee rejects Stettiner claim

Posted on: April 17, 2015 by Alexander Herman

Last month, the Dutch Restitutions Committee published its recommendation regarding a claim brought forward by the heirs of the three Stettiner siblings who ran the Stettiner Gallery in Paris until it was closed during the Second World War. The claim involved a portrait by Salomon Koninck (1609-1656) entitled Old Man with Beard, which currently forms part […]

The right of pre-emption and ‘The Wisdom of the Earth’

Posted on: February 25, 2015 by Alexander Herman

It is an iconic work by the great Romanian sculptor Constantin Brâncuși (pronounced, in true Romanian form, as ‘Brancoush’). It is a sculpture of a naked woman with her arms folded, her knees pulled close. It is entitled The Wisdom of the Earth. And now it is at the centre of yet another legal ‘dispute’ involving the Romanian state and […]

Wedgwood collection saved

Posted on: October 3, 2014 by Alexander Herman

The Wedgwood collection of porcelain, photographs and paintings has been saved. As reported in September, a deadline had been given of 30 November 2014 to raise the remaining £2.7 million of the nearly £16 million needed for the Art Fund to buy the collection and keep it in one piece. The remaining amount has since […]

Public appeal to save Wedgwood collection

Posted on: September 8, 2014 by Alexander Herman

The 80,000 piece collection of porcelain, paintings and other cultural objects that formed the Wedgwood Collection at Stoke-on-Kent is in jeopardy of being broken up and sold piece by piece at Christie’s auction house. In order to offset part of the £134 million pension deficit owed to former employees of Waterford Wedgwood Plc, the High Court ordered […]

Settlement in Beaverbrook Art Dispute

Posted on: April 14, 2014 by Alexander Herman

It was recently revealed that a final settlement had been reached in the decade-long Beaverbrook art saga. The dispute involved over 200 works that had once belonged to Max Aitken, aka Lord Beaverbrook, the Canadian-born London-based newspaper magnate. Before he died in 1964, Beaverbrook had founded an art gallery in his home province of New […]